Home

 

Home

Cowboy Paintings
Draft Horse Paintings
Equine Paintings
Foal Paintings
Landscape Paintings
Flower Paintings
Miniature Paintings

Artist's Studio
Artist's Statement

Artist's Biography
Artist's Resume
Email the Artist
Online Art Store  
Exhibitions
Galleries
Commissions
Workshops
Guestbook
Favorites
WebRings
Site Map
 



Supply List

[Up] [Supply List] [Syllabus]

I purchase all of my art supplies from Dick Blick (http://www.DickBlick.com). For reference I include Dick Blick links for some products on the Supply List.

Comparable products purchased online or locally will be fine. The Artisan, Meiningers Art Supplies, Guiry's, Michaels, Hobby Lobby carry some or all of these supplies.

Feel free to use what you have available if it meets the requirements. 

___________________________________________________________________________________

Pencils

Medium-weight pencil, HB or 2B
I prefer .05mm mechanical pencils.

Pen

Medium point ball point pen with black ink.

Pencil Sharpener

If you choose to use wooden pencils, you will need a pencil sharpener.  A sharpener with an attached container for shavings is recommended.

Eraser

Eraser stick and/or kneaded eraser
Sanford Eraser Stick

Design Kneaded Eraser.

Drawing Paper

Size 9" x 12"
Strathmore 400 Series Drawing Pad

Tracing Paper

Size 9" x 12" (the more transparent the better)
Bienfang Parchment 100 Fine Tracing Paper
Richeson Tracing Paper

Transfer Paper

Commercially prepared artist-quality transfer paper. (Office quality carbon paper cannot be used.)
Loew Cornell or Saral

Hardboard Panel

Size 9" x 12" Gessoed Hardboard Panel is used to allow for finer detail than with canvas or canvas panels. A rigid surface is required for the painting preparation.

Canvas Pad

Size 9" x 12" canvas pad
Fredrix Canvas Pad

Artist Tape

Artist's tape will be used to label color charts and fasten layers of preparation layouts together.

Palette

Disposable Palette, butcher tray, wood or glass
Bienfang Multi-Palette

Palette Cups

Very small container for painting mediums.
Palette Cups

Palette Knife

I like the 3" trowel style Palette Knife. Use the style that appeals to you.

Mahl Stick

You can make your own Mahl Stick! Mahl Sticks are great to give your hand something to rest on while you paint in detailed areas, especially if the paint is wet.

Find a 1/2" or 3/4" dowel or old handle that is about 18" or longer. Take some cotton wool or something similar, and make a small ball. Fit the ball of cotton over one end of the stick. Cover the cotton with a piece of material and use a string or piece of yarn, to tie it tight onto the stick. Or you can cap the stick with a vinyl tip purchased from a hardware store. 

Use the Mahl Stick to help steady your hand while propping the soft side of the end on the easel or dry part of the painting without damaging it.
Mahl Stick

Fixatif

Workable fixatif
Krylon Workable Matte Fixatif

Medium

Winsor & Newton Liquin or Gamblin Neo-Megilp

Solvent

NO solvents, Turpenoid, or orderless mineral spirits allowed in class. Brushes will be cleaned at the end of the day. For changing colors in our brushes, we will wipe brushes out in the painting medium. Bring plenty of paper towels; you will need them.

Color Mixing References

Color mixing reference materials are invaluable. I have a whole collection of charts and books. There is no reason to reinvent the wheel, so to speak. They are well worth the modest cost.

The Oil Painter's Pocket Paletteby Rosalind Cuthbert
Hardcover - 64 pages Spiral edition (September 1993) North Light Books; ISBN: 0891345434 ; Dimensions (in inches): 0.42 x 7.57 x 6.21
This book is next to my easel constantly!  

The most useful Color Charts and Wheels reference actual paint tube colors (e.g. Burnt Umber, Ultramarine Blue rather than generic color descriptions (e.g. red, blue, yellow).

Oil Paints

I use Winsor & Newton. Other brands are excellent quality: Grumbacher, Mussini, Shiva and others. Scroll down in the Dick Blick pages to see all the individual tubes.

Purchase the best you can afford. Better brands will actually cost less in the long run; the pigment is more pure and concentrated.

Basic Colors:
Titanium White
Burnt Umber
Burnt Sienna
Raw Sienna
Yellow Ochre
Naples Yellow
Cadmium Yellow Light
Cadmium Orange
Cadmium Red Light
Alizarin Crimson
Cobalt Blue
Ultramarine Blue
Cerulean Blue
Sap Green
Oxide Chromium Green
Paynes Grey
Ivory Black

Other Colors:
Any other colors that may be helpful 
for your particular subject.

Brushes

Synthetic brushes are economic and good quality. I like La Corneille, Raphael Golden Kaerell and Dick Blick brushes.

Purchase any that intrigue you as well. Just remember, we will be learning to paint in a "detailed" technique, so you will definitely want fine small brushes in your collection.

*Exact dimensions may vary by brand.

Brush Holder

Small empty can or cup (to hold brushes) or Loew Cornell Multi Bin

Brush Cleaner

Ivory bar soap, Fels Naptha soap or the Masters Brush Cleaner and Preserver

Cleaning Container

Sealed jar or container. You can make your own with a large-mouthed jar and an empty tuna can with holes punched in the bottom. Your brush-cleaning container must be sealable so that you can transport it from home to class.
Silicoil Brush Cleaning Tank

Miscellaneous

Scissors

Ruler

Paper towels (Bounty is excellent)

Flat box or container with lid. It needs to be large enough to hold your painting panel to carry it to and from class and home.

Utility or small toolbox for storing drawing and painting supplies.

Easel or paper to protect tabletop.

___________________________________________________________________________________

SOURCE PHOTOS

On the first day of class you will also need your own source photos.

Please photograph one simple, but clear in detail, subject (e.g. your cat or dog, horse, flowers, western tack, a saddle). Your subject should be a close-up image and not vague faraway imagery.

Place outside in sunlight to create cast shadows, or in sunlight shaft from a window. Do not use a flash !

The best photography time is early morning or late afternoon.

Photograph at eye level for simple perspective.

Take extra photos close up, for details (same angle) as close as your camera will allow.

Have your reference photo enlarged at a copy store. Enlarge it to approximately 9"x12".

 

[Up] [Supply List] [Syllabus]

 

 

Home • Cowboy Paintings • Draft Horse Paintings • Equine Paintings • Foal Paintings • Landscape Paintings • Flower Paintings • Miniature Paintings • Artist's Studio • Artist's Statement • Artist's Biography • Artist's Resume • Exhibitions • Galleries • Workshops • Commissions • Customer Feedback • Guestbook • Favorites • WebRings • Site Map

Original art, award-winning website, and portfolio design by Deborah Nelson
Copyright 1997-2005 Deborah Nelson    
All rights reserved. Reproduction is strictly prohibited and protected by international law.
Email: Webmaster
Updated: November 28, 2006